Category archives: Case studies

  • Stop saying cheese

  • Corporate headshots? I’m starting a one-man crusade to improve the standard of commercial portraits in Lancashire. Forgive me, I’m going to have a bit of a rant. In the past week I’ve had reason to check the websites of three different companies in and around Preston and in every instance the[...]
  • Free range photography

  • How do your turn commercial photography into a Christmas dinner? Like this... Between 2009 and 2013, Lancashire County Council ran a successful funding programme for local rural businesses. This year a similar programme – LEADER - will aim to help rural businesses connected with farming, ente[...]
  • Shooting real life

  • Real is good. No staging. No posing. Just your customers/people/products doing what they do in a genuine, authentic way. Real life can lead to some wonderfully powerful commercial photography. But then, it also has a habit of tripping you up. The camping experience at Stanley Villa Farm Campi[...]
  • Hi-vis commercial photography

  • How showing the scale of my latest project required people and the latest in a growing collection of hi-vis jackets. You wouldn’t think it, but commercial photography seems to go in cycles. For some reason, you’re chosen to shoot lots of similar subjects for lots of different people, with see[...]
  • Why do you need a corporate portrait?

  • I’m being asked to cover more and more corporate portrait shoots in Lancashire and across the North-West. That’s good news for me (obviously) but it’s also good news for our local businesses. Because it means that more and more people are getting the message: for a whole host of reasons, your portra[...]
  • Why shoot food on location?

  • You’d think shooting food would be easy. After all, it doesn’t have a mind of its own. It doesn’t wander off between shots, and it doesn’t stand at the back feeling camera shy. In that sense, photographing food is easy – but there’s a big difference between taking a snapshot of the meal you get serv[...]
  • The commercial photography guinea pigs

  • That’s not a figure of speech. There were guinea pigs. And dogs, rabbits, hamsters and fish. Pets at Home has opened the doors to its brand new store in Rawtenstall, Lancashire, and I was there to cover the PR photography. A new store is a big deal for any business. When you have the size and[...]
  • Photographing my photography

  • As a Lancashire commercial photographer, you cover a lot of ground. And because you’re always moving on, there’s rarely an opportunity to revisit your earlier work. Recently, Maxmedia helped me put that right... Maxmedia is a design agency (working out of Ribchester) with a difference. It wor[...]
  • Commercial photography from a new angle

  • How to show more than just the product in your commercial photography. It’s a sweeping generalisation, I’ll admit, but here’s the single biggest difference between what you get from a design agency and a Preston commercial photographer, and someone from the office who’s got the latest iPhone:[...]
  • Hitting the right notes

  • Marilyn Monroe, Stacey Solomon, a Nolan Sister and Captain Jack Sparrow. Photo shoots aren’t usually like this, but the process remains the same. Event photography is a lot like singing a song on stage. There’s timing, the requirement to ‘perform’ – to get out there and take the shots that co[...]